Usually, when we talk about wanting to dress as our favorite character, blurring the line between fantasy and reality, most people try to discourage this. We all have favorite movie characters and TV characters. Fear and Loathing in Las Vegas Costumes.Once accepted as a student, she wears a uniform, stripped of self-expression or any overt indication of femininity, mirroring the kimono costume while awaiting the sword from Hanzo. This is the one instance where we see a splash of youthful femininity, when she is clad in a breezy peasant blouse and capri jeans, but this is long before Bill’s orchestrated massacre, and seemingly near the beginning of the duo’s relationship. 2, we also see her as a student of the infamously cruel Pai Mei ( Gordon Liu). He consents, and at the ceremony in which he offers the sword to The Bride, she wears a kimono, practically indistinguishable from her counterparts, once more lacking in individuality. She then travels to Okinawa to commission a world’s-finest sword from Hattori Hanzo ( Sonny Chiba), a retired samurai sword maker. We flash back to an aborted assasination attempt by Elle Driver ( Daryl Hannah) shortly after her hospitalization, and to the moment she wakes from the coma in an utterly faceless hospital gown. Though The Bride requires a new tough-guy facade each new place she goes, when she’s not blanketed in the farce of the male warrior, she appears in totally anonymous, unspecific clothing. When we see The Bride slice O-Ren’s head off, it first is represented as a splash of scarlet red on the snow the parallel of the bloody snow and the white gown sprinkled in red act as the first tip of the scales of retribution, as another woman in white falls. Like universities use Greek architecture to call to mind scholarship and history, The Bride uses her clothing to convince us, and herself, that she has what it takes to kill Bill. Thus, the straight silhouettes and lonely cowboy ensembles not only imbue Beatrix with decades of cinematic source material to call upon during her journey, but also protect her, for however long, from the true, sinister misogyny of the crime. If this man had the power to destroy her life, and to lead a team of world-class killers, The Bride (whether intentionally or not) tries to conjure up his power by emulating his wardrobe. And behind all the carnage, though aided by several women, was the ultimate symbol of male dominance: Bill. She was at her most vulnerable and unsuspecting as “The Bride,” wearing virginal white, delicate jewelry punctuating her ethereal dress. The scorned assassin climbs out of her coffin with the resolve of any Leone leading man, and is clad likewise.īy choosing outfits that are, if not referential to then at least evocative of, the lone-wolf-warrior of the Western canon, a sort of armored cocoon is constructed around our heroine. Here, The Bride gives us more androgynous, borderline masculine clothing choices: snakeskin cowboy boots (knives included), straight-legged jeans, and typical western style button-ups in shades of sand. 2, set in unspecified deserts, filled with neon-lit clubs and trailers hitched to nothing. This pattern of communicating toughness through the evocation of American Western protagonists via wardrobe continues in Kill Bill Vol. As she emerges victorious, telling Vernita’s child to come find her someday, she is bloody and bitter, with the stoicism and machismo of legendary Western heroes and an outfit to match. Though she says things that present a stark contrast to bridal showers and babymoons like, “It’s mercy, compassion, and forgiveness I lack,” the visual transformation gives us an even more emphatic reiteration of the warrior’s conviction of this character. Because this is the first time we see The Bride after the assasination attempt, her transformation is all the more jarring. Simple dark jeans, a thigh knife holster, and a tan leather jacket adorn the revenge-seeker, evoking the desperado simplicity of Butch Cassidy and the Sundance Kid. For this rumble, The Bride is outfitted practically. There is no time for words: as soon as the door opens and the sirens wail, the two women are thrust into a knife (and shelf and cereal) fight over the participation of Green in the slaughter in El Paso. Fox), member of the Deadly Viper Assasination Squad. Having survived the gunshot to the head, The Bride arrives at the suburban home of Vernita Green ( Vivica A.
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